This Tuscan hill town will transport you back to the Middle Ages. Siena's grand cathedral, built in the 1200s, has treasured artworks and marvelous marble floors. The Piazza del Campo, the main town square, is a UNESCO World Heritage Site. It's also home to the Palio, perhaps the most infamous horserace in the world. No goofy hats and mint juleps here—this is a medieval tradition involving bareback riders racing on cobblestones (so as you might imagine, it's quite dangerous). Siena is an easy daytrip by train from Florence, just 43 miles away.
Restaurants in Siena
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The magnificent complex of the Cathedral of Siena, its Duomo, houses a series of some of the most important monuments of the European artistic panorama. With its more than one million visitors every year, the Cathedral without a doubt represents the fulcrum of the entire complex, while other significant elements include the Crypt, the Baptistery and the Museo dell'Opera, all part of the impressive mass formed by the "Duomo Vecchio" (Old Cathedral), and the "Duomo Nuovo" (New Cathedral). Visitors will travel along a memorable itinerary to the discovery of self and the truth of faith through culture and art, the result of more than a millennium of Western history.
We walked over to the ticket office to get the tickets for the Duomo, museum, Baptistry and Crypt, and we were blown away with our tour guides! We have seen all the major churches and Cathedrals in Italy, and many of the lesser-knowns, too, and nothing comes anywhere close to this one! Each has it's own unique style, but this one was the most memorable for me! The interior tour was brilliantly executed and our tour guides made us feel like private guests getting a unique inside tour! I could go back every day and see something new! They cover different parts of the floor at different times, so one would need to go at different times to see it all.
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This large single, rather narrow, room with a very high ceiling, used to be part of the priest's house attached to the side of the Duomo. Entry is gained via a side doorway from within the Cathedral. All of the combined tickets into the Duomo include entry into this Library. The Library was built in 1492 by authority of the then Bishop of Siena, Cardinal Francesco Piccolomini (who was to be the future Pope Pius III), to house the books and manuscripts of his uncle, Pope Pius II, and to honour his lifetime achievements. The single room has display cases that house beautifully hand painted and hand written hymn books around the lower part of the walls of the room. Above the display cases the walls are totally covered with richly coloured frescoes of 10 scenes representing various important events in the life of Pope Pius II. The vaulted ceiling is similarly covered in a series of brightly coloured smaller paintings that are geometrically spaced. The frescoes are the work of Pinturicchio, who was born in Perugia, and his workshop and were completed in the first decade of the 16th century. It is believed that a young Raffaello Sanzio da Urbino worked in this workshop for a period at this time. The only statue in the room is a copy of the statue of the The Three Graces, which is based on an original Greek statue. Don't miss seeing this room if visiting the Duomo.
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Occupying part of Il Duomo's extension, this museum houses Pisano's original statues from the building's façade and a fine array of panels, including works by Simone Martini, Pietro Lorenzetti and Sano di Pietro.
The museum was quite good. The first part contains an impressive large stain glass window. The museum is then divided into a number of different rooms. The museum contains paintings, statues, a relic (skull) of San Clemente Martire inside a beautiful gold enclosure, old books and more. You can also climb the stairs to the very top for some magnificent views. I also climbed the stairs in the Duomo and found the view from here to be better. To climb the stairs, you need to wait in the room that has large triangle paintings and chairs to sit on, while waiting. Once everyone in the previous group comes down, the group waiting can go up. The stairs are narrow and winding. It isn’t really possible for one person to go up while another comes down, hence the need for the wait. A guide is up top to answer questions and presumably to tell everyone they need to go down (for the next group) at some point in time. I walked down on my own before that happened. If you are able to make the rather strenuous climb, the views are worth the wait.
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This museum complex, which houses the National Archaeological Museum of Siena, began as a pilgrims' hostel and orphanage, then served as a hospital from the 10th century to modern day.
The former hospital and hospice that occupied this site and which has now been transformed into a huge museum complex commenced operating before the 12th century. The Santa Maria della Scala organisation provided a large number of services to the people including taking in abandoned babies and children, serving meals to the poor, treating the sick and caring for pilgrims who often received free food and lodgings. The Via Francigena, the main pilgramage road to Rome, passed through Siena and near the hospital which is located directly opposite the Duomo. The hospital complex was greatly expanded over the course of the many centuries following its establishment and it became part of the University during the 18th century. The hospital though ceased operating in the second half of the 20th century and, following a period of substantial renovation and refurbishment, the hospital opened as a museum in 1995. Those renovations and refurbishments are still ongoing. The complex encompasses three levels, has its own internal covered roadway, its own 13th century church, the magnificently frescoed and ornately decorated marble and gold plated Chiesa di Santissima Annunziata, a separate Archaeological museum with a vast array of Etruscan and Roman urns, pottery, statues etc, a museum dedicated to children (not a must see), cavernous beautifully frescoed Pilgrim halls that used to be used to house the pilgrims and the sick plus much more. Down another flight of stairs and there are several large rooms, including the former granary, that house the original marble statues from the Fonte Gaia by Jacopo della Quercia as well as a treasury that holds precious relics and reliquary. There is also the Oratorio di Santa Caterina della Notte where it is said that Saint Catherine of Siena, who worked in the hospital, passed her nights in prayer. There are beautiful frescoes and paintings in many of the halls and chambers. There was also a visiting temporary art exhibition during our visit that had some lovely paintings. There are a lot of steps but we did notice one lift so I would say that it may be wheelchair friendly. Cost of entry was EUR 9-00 per adult but there are a number of combination tickets for entry to here plus the Duomo or for entry to here plus the Torre del Mangia and the Museo Civico which is the combination that we purchased for EUR 20-00 per person. This complex has something new and interesting at the end of each corridor and tunnel and whilst it is a bit of a labyrinth, it is not that difficult to navigate although I would allow a good two hours to see most of it. Well worth the time.
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The house of the Patron Saint of Europe.
In addition to St. Francis of Assisi Italians have another patron saint as a nation, namely Saint Catherine of Siena. A woman who, in her short earthly and great spiritual life, bore all the hardships and problems of the Church of her time. The shrine of St. Catharine of Siena presented us with the environment in which she lived during the 14th century. The native house of St. Caterina of Siena was transformed into a sanctuary in 1464 and there you can find many signs about her life. Catherine Benincas was born on 25 March 1347 in Siena, Fontebranda Street. She was the penultimate of the 25 children born in the large family as a twin sister with Giovanna that shortly after the birth dies. Her father Giacomo Benincasa and mother Lapa Piacenti were a wealthy family. They were engaged in dyeing fabric and leather. Siena was a rich city, and their wealth was based on the wool trade. Katarina since her childhood has been searching for silence, prayer, solitude, and regularly visits the nearby Basilica of Saint Dominic held by the Dominican Fathers. At only six years old (1353) she had her first vision. Over the roof of St. Dominic's Basilica, she saw a smiling Christ seated on a throne in papal garb accompanied by the apostles Peter and Paul and St. John the Evangelist. She decided to join the Dominicans, but as the family objected, she decided to cut her hair in protest. In isolation, she sought clarity and a path for three years. She watched God’s heart carefully to learn how to live according to God’s plans. Living in great intimacy with Jesus, in one vision Jesus instructed her to consecrate herself to the apostolate.Thus, she spent the rest of her life caring for the sick of the plague, visiting the poor, reconciling quarreling relatives, traveling, pursuing high politics and reconciling citys i states, advocating for the restoration of the Church and the return of Pope Gregory XI to Rome from Avignon. She found strength in the Eucharist. She did not eat anything for days, only receiving the Eucharist. So small, illiterate, St. Catharine became a Church scholar and co-protector of Europe: building in herself, in a deep dark cell, a place of encounter with God. She's worthy of awe. The House-Sanctuary consists of various environments, on the right the Chiesa del Crocifisso (Church of the Crucifix) (the artwork from which the St. Caterina received the stigmata in the Chiesa di Santa Cristina in Pisa in 1375), on the left the Oratorio Superiore (Upper Oratory) with beautiful majolica floor, the Oratorio della Camera frescoed in 1896 by Alessandro Franchi, and the Chiesa di Santa Caterina in Fontebranda, with a wooden statue by Neroccio and paintings by Della Pacchia and Sodoma.
4.5 based on 873 reviews
a lot of people miss the visit of the Battistero because even though the entry fee is included on the same ticket as the Duomo , the Battistero is a separate building accessible by descending steps at the back of the Cathedral . The outside is very nice but the inside is striking , specially the ceiling !
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