What to do and see in , Nouvelle-Aquitaine: The Best Museums

You are entering a museum unlike any other. The home of john and eugenie bost will tell you stories. Those of john and his wife, who played an essential role. Those of a territory and those who lived there. It illustrates a human adventure, which began at la force, and which has spread through a number of other sites across france.

No—the Tobacco Museum isn’t intended to promote tobacco; nor is it meant for smokers alone! Its collections, which are unique in Europe, evoke the saga of a plant with an amazing destiny, sometimes blessed and sometimes cursed; originating and used in America more than 3,000 years ago before conquering Africa and then the world. Its modern manner of consumption has been vilified, but it has left its mark on every civilization sociologically, economically, culturally, artistically, and politically. Discover, in our auditorium and through our exhibitions of rare artefacts, this universal fact of social life, the history of tobacco’s use, and objects related to its consumption. The Tobacco Museum is located in the Maison Peyrarède, also known as the Henri IV Castle. The architecture of this building, constructed in the 17th century in the heart of the historic centre of Bergerac for a wealthy burgher family, stands as an example of the shift from Renaissance to Classicism.

A not-to-be-missed part of your walking tour of the historic centre of Bergerac or a stroll along the Dordogne, the City Museum is part of our status as a City of Art and History. Photographic documents, rare archives, and specially-chosen objects bring to life the history of the birth of a city and its evolution to modern times, and its roots in a region where the river and vineyards have always played a crucial role in its development.

Beneath the remarkable vaulted cellar ceiling of the Petite mission are exhibited nearly 60 bronze and plaster sculptures, created between 1929 and 1973 by Constantin Papachristopoulos, also known as Costi, pupil of Bourdelle. From the warm stone of the cellar rise portraits full of sensitivity and pieces that can be read as an homage to the feminine form.