Emilia-Romagna (pronounced [eˈmiːlja roˈmaɲɲa]; Emilian and Romagnol: Emélia-Rumâgna) is an administrative Region of Northeast Italy comprising the historical regions of Emilia and Romagna. Its capital is Bologna. It has an area of 22,446 km (8,666 sq mi), and about 4.4 million inhabitants.
Restaurants in Emilia-Romagna
5.0 based on 2,251 reviews
Splendida ricostruzione di teatro farnesiano nel palazzo della pilotta
Great to visit this amazing theatre with very few people (there were two others when we visited). The Fornastetti plates sitting in seats was a great idea. This theatre is early 17th C and you can see all the ancient beams as you walk behind. Really kool.
5.0 based on 5 reviews
4.5 based on 494 reviews
The beautiful atmosphere of the main town square can be attributed to the Palazzo d'Accursio. The beautiful atmosphere was evoked by the famous musician Luccio Dalla in his unforgettable song Piazza Grande. The Palazzo D’Accursio or Comunale, located in the center of Bologna in Piazza Maggiore, is one of the most important buildings in Bologna, which has been the seat of the city since 1336. Now is the city's Town Hall. A significant building for the city of Bologna, rich in history. The earliest structure of the Palazzo d'Accursio originally began as the residence of the jurist Accursius, but over time, it was incorporated and expanded to include adjacent buildings to house civic offices. In 1336 it became the seat of the Anziani ("Elders"), the highest magistrates of the commune, and then the seat of the government. In the 15th century it was refurbished under the designs of architect Fioravante Fioravanti, who added the Clock Tower (Torre d'Accursio). The façade features a portcullis and a Madonna with Child, a terracotta by Niccolò dell'Arca (1478) in the upper section. Over the portal is a large bronze statue of Bolognese Pope Gregory XIII (1580). A bronze statue of Pope Boniface VIII, once here, is now in the Medieval Museum. Inside the complex it is possible to visit, climbing the sixteenth-century cordoned staircase attributed to Bramante, up to the Hall of the Communal Council, on the first floor, where the Bolognese Senate met, and contains a gallery ceiling frescoed with Baroque-style quadrature by Angelo Michele Colonna and Gioacchino Pizzoli (1675–1677). The palace is also home to the Civic Art Collection, with paintings from the Middle Ages to the 19th century, the Museo Morandi, with the works by Giorgio Morandi, and the Biblioteca Salaborsa, the town libraries.
4.5 based on 1,401 reviews
A beautiful room, and the portraits and statues look down and watch. Galen, Hippocrates and others. There is a peace and solemness, as you sit where students watched and learned, centuries ago.
4.5 based on 1,766 reviews
The Palazzo dei Diamanti is a venue belonging to the city of Ferrara where exhibitions of international importance are held, thereby contributing to the city’s reputation as a centre of art and culture. These exhibitions are organized jointly by Fondazione Ferrara Arte, Gallerie d'Arte Moderna e Contemporanea di Ferrara and the Settore Attivita Culturali of the Comune di Ferrara.
My appreciation for the "Palazzo dei Diamanti" comes from three main reasons. Firstly this palace, with its diamond point bosses (hence the name), is to be considered one of the most beautiful of the Italian Renaissance. Secondly, it can even be considered a symbol of Ferrara, which from this point of view could even overstretch the Estense Castle. I try to justify my statement; and I will devote most of my review to this goal. The palace is suitable to symbolize Ferrara not only and not so much for its intrinsic beauty, but because it reveals the way that the architect Biagio Rossetti followed, between 1492 and 1505, to create the so-called "Addizione Erculea" . This is the name of the operation by which Rossetti (on behalf of Ercole I d'Este, Duke of Ferrara) in fact doubled the size of once medieval Ferrara, creating new city north of the existing one, and organizing it with a gridiron of streets. The similarity of this gridiron with the orthogonal plan cities created in the Hellenic world on the model of Hippodamus by Miletus, or with the cities founded or re-founded by the Romans, or finally with the "Terre Nuove" (new settlements; cities founded from scratch) spread throughout Europe in the second part of the Middle Ages, must not deceive: according to scholars (and in particular to the historian Bruno Zevi, 1918-2000), it's only in the case of Ferrara that the city sees the orthogonal plan organized regardless of the needs of immediate expansion; so that the inhabitants of sixteenth century Ferrara will call it not "Terra Nuova", but "Aria Nuova" (new air), to indicate that the new city consists precisely of air, and not of buildings. The gridiron exists, the buildings will then come. To safeguard the cornerstones of its urban creation, however, and to prevent them from being distorted in the future, Rossetti "blocks" some fundamental intersections and squares, immediately edifying a few but strategic buildings. One of these (and the most illustrious) is Palazzo dei Diamanti, which is therefore established as the cornerstone of what Zevi calls "the first operation of modern urban planning in Europe". The third reason for my appreciation stems from the quality of the artistic exhibitions that have been held in the building since many years. Right now, the exhibition of the painter Giuseppe De Nittis is in progress (and I have just visited it), an Italian who lived mainly in Paris. In past years, I have been able to admire the exhibitions on Joan Mirò (2008), on Joseph Turner and Italy (2008-2009), on Jean Simeon Chardin (2010-2011), on Francisco de Zurbaràn (2013-2014). They were all excellent exhibitions, which honored the city of Ferrara.
4.5 based on 1,243 reviews
The Sanvitale Fortress of Fontanellato rises, enchanting and suggestive, at the centre of the village; surrounded by a wide moat, it contains a precious treasure: the “Room of Diana and Actaeon” painted by Parmigianino in 1524. The aristocratic apartments of the Sanvitale counts is still intact, with original furniture and furnishings. From the “Camera Ottica” it still possible observe the real life outside the castle thanks to an ingenious system of lenses
Friends had recommended visiting hear years ago and I finally I got to see it. Such an unusual castle compared to others in the region. Lovely little town.
4.5 based on 2,605 reviews
This is a lovely and monumental statue, well located on the main square of the historical center. It has an Italian flavor with the kinky mermaids at the bottom. It is a great start to visit the center, or as a meeting point.
4.5 based on 1,931 reviews
We visited the anatomical theatre, the library, and looked around the hallways. Wow so wonderful!!! I cannot imagine how an opulent university like this could have already existed in the 9th century. I could just imagine how students were taught during those days and how prestigious it must have been to graduate from this place. Amazing place!!! My tip is for you to visit the minute it opens so you can have the anatomical theatre all for yourself and get wonderful photos. The hallways and ceilings are also picture perfect. Be ready for an interesting and well spent time.
4.5 based on 434 reviews
Casa Romei was built by the merchant Giovanni Romei around the mid fifteenth century, and constitutes a unique renaissance mansion in Ferrara. Original decorations from the age of its first owner, elegant courtyards, loggias, halls, make it an exceptional landmark inside the ancient city centre. During the time that the house formed part of the Monastery of Corpus Domini, the ceilings of the rooms on the first floor (XVI century), were decorated with elegant grotesques. Casa Romei became a veritable museum in 1955 and received collections of frescoes, statues and lapidaries from mostly destroyed ancient city churches and civil buildings. Therefore you can discover -inside its 15 rooms- witnesses from a forgotten town. The echoes of important artists, such as Donatello, Francesco Dal Cossa, Gregorio di Lorenzo, Bastianino, Alfonso Lombardi, make the visit inside Casa Romei an unforgettable experience of a greater interest.
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