The largest city in South America, Sao Paulo’s cuisine and art is as multinational as its diverse population of 10 million. With the restaurants of the Jardins district serving every food imaginable to diners from around the world, you wouldn’t be out of place going to Sao Paulo just for the dining. But you’d be missing out on world-class museums, diverse and vibrant neighborhood tours, and crazy-good shopping.
Restaurants in Sao Paulo
5.0 based on 9 reviews
4.5 based on 22,931 reviews
Housed in a stunning example of eclectic industrial architecture, the Mercado Municipal de São Paulo — nicknamed the Mercadão — has thousands of food items on offer, literally from soup to nuts. Lush tropical and temperate fruits from every season, choice cuts of meats and fish, and hearty prepared foods,such as the renowned and enormous mortadella (bologna) sandwich, complete the market's catalog of wares, all for sale in a boisterous, welcoming atmosphere. The surrounding area can be a bit sketchy, but the sights and flavors more than make up for the journey downtown.
starting fr the building structure itself, going through every selling counter, is marvelous, majestic. You may find as from strange fruits from all over Brazil, mainly Amazonia, upto extraordinary mortadella sandwiches, fabolous cod huge snacks ( pastel), tasty italian cheeses, excellent shripms, pork meat, lambs, all you may imagine, is there. Wheneeber I been at Sapulo fr business, I go, at least, two times. Excellent!!!!
4.5 based on 900 reviews
4.5 based on 1,828 reviews
São Paulo's very own Empire State Building — the Edifício Altino Arantes, also known by the name of its previous owner, Banespa — opened in 1947 as a symbol of the fast-growing city's economic might. The striking views from the observation deck, accessed from the 33rd floor of the 161-meter-tall building, never fail to impress visitors. Views, while free, are daytime only; the building is only open during normal business hours.
This city landmark built in 1947 offers great view on São Paulo from 26th floor. I was surprised by the quality of exhibitions, with one currently on masks, showing wonderful pieces from the whole world. In the lower floors, the exhibition about the history of this building and banking activities is also very interesting.
4.5 based on 6,461 reviews
It was just quite amazing to see these "many colorful statues" of saints above the length of the main aisle on its both sides which is really the spectacle that stands out the most in my memory of this "overall ornate" church (really plenty of beauty, intricacies & elaborateness to see inside a relatively small area), and yes walking along the main aisle of this small church (which is just about a third of the long rectangular building of the Monastery where the other parts are off-limits to the public) was actually somewhat of a reminiscent of that along the main aisle of the much-bigger Metropolitan Cathedral in Santiago (where also right above the length of the aisle on both sides are saint statues not colorful ones like here but gold-glittered). And nearby, at just about a 5-minute walk (to the north which is in the direction straight out from this church) is Farol Santander with some outdoor balconies on its 26th floor for some great views of the city & where are also some exhibition floors including those with great displays of the bank that the building once was, and another 5-to-10-minute walk further north from that (through some cobble-stoned "pedestrian streets") is the square Praca da Se with the city's "main cathedral" Catedral da Se de Sao Paulo which is a pretty plain one inside except for its "huge pillars" but still a worthwhile visit especially right outside of it where there's a "big circle" like a compass or such & also a nice standing statue of St. Paul.
4.5 based on 176 reviews
One of the city's many cultural foundations backed by a major Brazilian bank, downtown's CAIXA Cultural offers a rotating mix of international and Brazilian photo and art exhibitions, film retrospectives, concerts and theatrical performances that are always impactful and always free. Recent exhibitions have included French journalist Philippe Castetbon's “The Condemned,” a poignant photography presentation of gay men from countries where their sexuality could mean jail or even death, and the colorfully geometric “visually poetic” works of visual artist Almandrade, from the northeastern state of Bahia.
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