Top 10 Things to do Good for Big Groups in Veneto, Italy

Andrea Palladio’s last work and masterpiece, the Olympic Theatre was commissioned in February 1580 by the Accademia Olimpica, a society of mixed social classes founded in Vicenza in 1555 for cultural and scientific purposes and to which Palladio himself belonged. Construction began in May 1580, but Palladio died suddenly on 19 August of that year so did not see its completion. After various, complex delays, the theatre was completed five years later and opened on 3 March 1585 with the memorable staging of Sophocles’ Oedipus Tyrannus. The theatre is reached by way of the odeon and anti-odeon, two large rooms designed by Vincenzo Scamozzi and decorated respectively with frescoes by Francesco Maffei portraying divinities and allegorical figures (c. 1637) and a monochrome frieze of considerable documentary interest (c. 1595). This depicts theatrical productions presented by the Accademia before construction of the Olimpic Theatre (Amor costante, Sophonisba) and shows or events held in the new theatre (Oedipus the King, the diplomatic mission of Japanese envoys). Palladio designed a monumental scenae frons within an enclosed space intended to simulate classical theatres in the open air. It is flanked by two wings or stage doors and a semi-elliptical cavea with thirteen tiers, ending in a columned exedra at the top, partly open and partly with niches in the wall. Statues of the academicians who commissioned the theatre, dressed in classical costume, occupy the niches and plinths of the structure. A series of splendid bas reliefs showing stories of Hercules by Ruggero Bascape occupies the highest row. Wooden perspective scenery of the streets of Thebes runs back from the three openings in the scenea frons. This was designed by Scamozzi for the opening performance of Oedipus Tyrannus and has remained as a permanent feature

Venice's main water thoroughfare, lined with great Renaissance palaces, is a colorful and busy spectacle of gondolas and vaporetti.

A masterpiece of Gothic architecture, the building and its sculptural decoration date from various periods. The interior, with works by artists such as Titian, Veronese, Tintoretto, A.Vittoria and Tiepolo, includes vast council chambers, superbly decorated residential apartments, and austere prison cells. Along the facades of the Palace run loggias that overlook St. Mark’s Square and the lagoon. The combined entrance ticket to the St. Mark’s Square Museums grants access to the Doge’s Palace, Museo Correr, Museo Archeologico Nazionale and Monumental Rooms of Biblioteca Marciana.

Connecting Castelvecchio and Adige, this powerful bridge was first built in the 1st century AD, destroyed during World War II, and rebuilt using parts of the original structure.

It's no wonder that this is one of the most historic and picturesque squares in Italy: in antiquity, it served as a Roman forum; today, it contains many historic buildings, sculptures with a popular and colorful market overflowing with fresh fruits and vegetables.

Built in the first century AD, this is one of the best conserved Roman amphitheatres, whose seating area is made up of 44 levels and can hold up to 22,000 spectators.

A beautiful Italian garden in the heart of Verona. You can visit the garden and a part of the palace called the 20th-century Apartment.

Built in 1123-35, this ornate Romanesque church features adorned bronze doors and remarkable Cloister.