The province of Ferrara (Italian: provincia di Ferrara) is a province in the Emilia-Romagna region of Italy. Its provincial capital is the city Ferrara. As of 2015, it has a population of 354,073 inhabitants over an area of 2,635.12 square kilometres (1,017.43 sq mi), giving it a population density of 134.37 inhabitants per square kilometre. It contains 26 comuni, listed at list of communes of the Province of Ferrara. Its president is Tiziano Tagliani.
Restaurants in Province of Ferrara
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The Palazzo dei Diamanti is a venue belonging to the city of Ferrara where exhibitions of international importance are held, thereby contributing to the city’s reputation as a centre of art and culture. These exhibitions are organized jointly by Fondazione Ferrara Arte, Gallerie d'Arte Moderna e Contemporanea di Ferrara and the Settore Attivita Culturali of the Comune di Ferrara.
My appreciation for the "Palazzo dei Diamanti" comes from three main reasons. Firstly this palace, with its diamond point bosses (hence the name), is to be considered one of the most beautiful of the Italian Renaissance. Secondly, it can even be considered a symbol of Ferrara, which from this point of view could even overstretch the Estense Castle. I try to justify my statement; and I will devote most of my review to this goal. The palace is suitable to symbolize Ferrara not only and not so much for its intrinsic beauty, but because it reveals the way that the architect Biagio Rossetti followed, between 1492 and 1505, to create the so-called "Addizione Erculea" . This is the name of the operation by which Rossetti (on behalf of Ercole I d'Este, Duke of Ferrara) in fact doubled the size of once medieval Ferrara, creating new city north of the existing one, and organizing it with a gridiron of streets. The similarity of this gridiron with the orthogonal plan cities created in the Hellenic world on the model of Hippodamus by Miletus, or with the cities founded or re-founded by the Romans, or finally with the "Terre Nuove" (new settlements; cities founded from scratch) spread throughout Europe in the second part of the Middle Ages, must not deceive: according to scholars (and in particular to the historian Bruno Zevi, 1918-2000), it's only in the case of Ferrara that the city sees the orthogonal plan organized regardless of the needs of immediate expansion; so that the inhabitants of sixteenth century Ferrara will call it not "Terra Nuova", but "Aria Nuova" (new air), to indicate that the new city consists precisely of air, and not of buildings. The gridiron exists, the buildings will then come. To safeguard the cornerstones of its urban creation, however, and to prevent them from being distorted in the future, Rossetti "blocks" some fundamental intersections and squares, immediately edifying a few but strategic buildings. One of these (and the most illustrious) is Palazzo dei Diamanti, which is therefore established as the cornerstone of what Zevi calls "the first operation of modern urban planning in Europe". The third reason for my appreciation stems from the quality of the artistic exhibitions that have been held in the building since many years. Right now, the exhibition of the painter Giuseppe De Nittis is in progress (and I have just visited it), an Italian who lived mainly in Paris. In past years, I have been able to admire the exhibitions on Joan Mirò (2008), on Joseph Turner and Italy (2008-2009), on Jean Simeon Chardin (2010-2011), on Francisco de Zurbaràn (2013-2014). They were all excellent exhibitions, which honored the city of Ferrara.
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Containing huge wall curtains, some small sculptures and walls, plus huge paintings and a collection of historical and bible books. As Ferrara is a small but a compact historical city in different eras this is one of at least 3 museums must be seen if someone is interested. It is different from other Ferrarese museums.
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The National Archaeological Museum of Ferrara is housed in the magnificent Palazzo Costabili (said of Ludovico il Moro), one of the most beautiful Renaissance palazzi of Ferrara by the great ferrarese architect Biagio Rossetti. The central courtyard, the loggias, the grand staircase, the wide rooms testifie to the life of a high rank ducal family, evidenced by the extraordinary frescoed ceiling by Benvenuto Tisi da Garofalo, which portrays scenes of court life. The story of this exceptional building is linked to the fate of the ancient city of Spina, which begins to unfold in a sensational way at the time of the great land reclamation works in the first half of last century. The Palazzo became a casket for the treasures of the Etruscan city and displays the finds from the town of Spina and the rich grave goods from its necropolis: Etruscan bronzes, golden and amber jewels and wonderful Attic vases, decorated with mythical stories of gods and heroes and with scenes of daily life.
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Casa Romei was built by the merchant Giovanni Romei around the mid fifteenth century, and constitutes a unique renaissance mansion in Ferrara. Original decorations from the age of its first owner, elegant courtyards, loggias, halls, make it an exceptional landmark inside the ancient city centre. During the time that the house formed part of the Monastery of Corpus Domini, the ceilings of the rooms on the first floor (XVI century), were decorated with elegant grotesques. Casa Romei became a veritable museum in 1955 and received collections of frescoes, statues and lapidaries from mostly destroyed ancient city churches and civil buildings. Therefore you can discover -inside its 15 rooms- witnesses from a forgotten town. The echoes of important artists, such as Donatello, Francesco Dal Cossa, Gregorio di Lorenzo, Bastianino, Alfonso Lombardi, make the visit inside Casa Romei an unforgettable experience of a greater interest.
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