The province of Pistoia (Italian: provincia di Pistoia) is a province in the Tuscany region of central Italy. Its capital is the city of Pistoia and the province is landlocked. It has an area of 964.12 square kilometres (372.25 sq mi) and a total population of 291,788 inhabitants (as of 2015). There are 22 communes in the province.
Restaurants in Province of Pistoia
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"Parco Puccini" is the name of a historic park in Pistoia, which is very likely the most beautiful and historically important of the town. It was realized in the artistic period of Romanticism, perfectly respecting the contemporary ideas, by Niccolò Puccini, a nobleman from Pistoia, in the first half of the nineteenth century. After his death the park was divided into many properties, most of which are small except for two of them that are very well conserved and picturesque: one that is town property and one that is ours. Our park is 15 hectars in extension, dissemitated with numerous monuments and three buildings: "Villa La Fortezza", "The Pantheon of illustrious men" and "The Romitorio". It is available for guided tours, wedding celebrations, corporate meetings and many others, but above all for cultural events.
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Hesperidarium is a unique, international garden with over 200 varieties of Citrus plants from all over the world. A real botanical garden where visitors can admire citrus plants from the 15th century but also rare exotic varieties as well as more recent ones originating from the southern hemisphere. An alternative and fascinating way to spend a few hours among the colours and perfumes of Citrus plants!
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Those who reach the Villa Garzoni Garden without having seen any image before, are struck by the extraordinary glance that it offers as soon as you leave the building now used as a ticket office and look inside. In fact, the flat space, on which the garden could be developed, is limited, therefore the most typical geometric solutions of the Renaissance "Italian garden" can be deployed in a limited space as well. However this flat space is cleverly organized, by the round basins of two large fountains, in which the water sprays are a constitutive part of the architecture. But this isn't a Renaissance garden; it's a baroque one. Moreover, thanks to its very long building period, it denotes by its features an intellectual restlessness that can also make us speak of Enlightenment, or of pre-Romanticism. These more modern styles have driven the extension of the garden on the steep back hill: if the nymphaeum recalls the artificial cave by Bernardo Buontalenti at the Boboli Gardens in Florence (thus giving a taste of late Renaissance), the terraced slope or the hill modeled by the dense vegetation, which leads to the summit and draws the gaze towards it, allows us the comparison (though in miniature) with other more recent and more famous examples of gardens: the names, among others, of the Royal Palace in Caserta and of the Wilhelmshöhe in Kassel, were made. Indeed, among the architects who worked in the garden, or in the nearby villa, Ottaviano Diodati, translator in Italian of the Encyclopédie; or the renowned Filippo Juvarra, are mentioned. Last but not least, the scenographic effect of the garden is enhanced by the clear, almost fairy-like façade of the Villa; behind it the extraordinary, steep row of the Collodi hamlet's ancient houses, peeps in turn.
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