The windy city is a cornucopia of modern art, fine dining, cutting edge comedy, and die-hard sports fans. Snap a photo of your reflection in the silver Cloud Gate sculpture at Millennium Park before heading to Grant Park to get hit with the refreshing spray of Buckingham Fountain. There are dozens of museums and theater companies in Chicago, so a cultural experience is never hard to find. You’re sure to laugh your head off at the Second City Theater, the professional launch pad of many famous comedians.
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Please note LH Selman is currently open by appointment only. Please get in touch if you would like to schedule a time to come by the gallery. Welcome to L.H. Selman Ltd., a name that has been synonymous with the finest antique and contemporary paperweights for over 40 years. As the country's premier dealer in fine art glass paperweights our mission is to promote the very best by exhibiting and selling through our gallery and at auction the finest examples made in centuries past, and by nurturing new talent emerging from contemporary independent studios.
My wife and I recently purchased a fine glass antique paperweight from L.H. Selman Ltd. in Chicago to serve as a centerpiece for our extensive Civil War collection of rare and first-edition books, manuscripts, autographs, paintings and artifacts. Until we visited the Selman gallery and museum at 410 South Michigan Avenue, in the historic Fine Arts Building, overlooking Millennium Park and Grant Park and the nearby Art Institute of Chicago, we didn't have any knowledge about paperweights. In less than two hours, we received a thorough education. Selman is a name that has been synonymous with the finest antique and contemporary paperweights for over 40 years. It is the premier dealer in fine art glass paperweights in the United States and its mission is to promote the very best by exhibiting and selling through its gallery and at auction the finest examples made in past centuries and by nurturing new talent emerging from independent studios. It's a fascinating adventure, viewing the largest collection of antique and contemporary paperweights in the world. After it's over, you understand that a paperweight isn't a simple desk accessory. The origin of glass paperweights can be traced to France in 1845, when glass factories such as Baccarat, Saint Louis and Clichy were competing to create the world's finest crystal luxury items, including water sets, tableware and inkwells, then paperweights. Collectors range from kings and American presidents to writers and investors to Truman Capote and Arthur Rubloff. L.H. Selman was introduced to paperweights in the mid-1960s. He began collecting them, started a small mail order business, created a publishing company to distribute information about paperweights, then founded the International Paperweight Society and Museum on South Michigan Avenue. In 2001, he was named "one of the Top Ten People of the 20th Century" to influence the paperweight art form. In 2009, he sold his business to Mitch and Ben Clark. They picked up the torch--or the paperweight--and the Chicago art scene remains in sterling condition.
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My wife and I have browsed the Thorne Miniature Rooms at the Art Institute of Chicago on previous occasions. But after seeing the display of the Thorne collection at the Phoenix Art Museum during our recent two-week vacation in Arizona, we decided to make another visit to larger Thorne collection in Chicago. It is an exhibit unlike any other, a child's dream. Thorne Miniature Rooms are a set of about 100 miniature models of rooms created between 1932 and 1940 under the direction of Narcissa Niblack Thorne, who was born in 1882 in Vincennes, Indiana. As a child, she began to collect miniature furniture and household accessories. Her uncle, a U.S. Navy vice admiral, sent her many antique dollhouse miniatures from around the world. When she was 19, she married Montgomery Ward department store heir James Ward Thorne, whose fortune helped to finance her hobby. Ninety-nine of the rooms are still believed to be in existence. The majority of them, a total of 68, are on display at the Art Institute of Chicago, located at 111 South Michigan Avenue. We saw 20 of them at the Phoenix Art Museum. The Art Institute's rooms document European and American interiors from the late 13th century to the 1930s and the 17th century to the 1930s, respectively. Constructed on a 1:12 scale, the rooms are largely made of the same materials as full-sized rooms and some even include original works of art, including paintings and sculpture, silver bowls and crystal chandeliers. They are among the most popular attractions at the Art Institute with an authentic appearance and attention to detail that boggles the mind.
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The Chicago Cultural Center is the nation's first free municipal cultural center and one of the most visited attractions in Chicago. The stunning landmark building, opened in 1897 as the city's first public library, is home to two magnificent stained-glass domes, and annually presents hundreds of free cultural exhibits and performances. Admission is free.
Aside from being a beautiful building filled with finely executed mosaic work, a lovely marble staircase and an always interesting array of changing exhibits; the Cultural Center also has a free weekly recital under the largest Tiffany glass dome in the world. The 45 minute Wednesday concerts take place in the Preston Bradley Hall at 12:15 pm. Be sure to get there early (20-30 minutes) if you want to sit up front. The space fills up quickly. If you have nothing planned afterwards go to the Randolph St entrance after the concert and go on a tour of the building. Space is limited for this tour and they start at 1:15 pm daily. Check out their calendar of events before planning your Chicago itinerary to take advantage of this excellent cultural institution.
The Sullivan Galleries represent 32,000 square feet of contemporary exhibition space in the Chicago Loop. Located in the Sullivan Center at 33 S. State Street, the historic site of Louis Sullivan's masterpiece Carson Pirie Scott & Co. building, the galleries feature exhibitions, performances, lectures, and screenings by SAIC students, faculty, and guest artists.
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