Conquering New York in one visit is impossible. Instead, hit the must-sees – the Empire State Building, the Statue of Liberty, Central Park, the Metropolitan Museum of Art – and then explore off the beaten path with visits to The Cloisters or one of the city’s libraries. Indulge in the bohemian shops of the West Village or the fine dining of the Upper West Side. The bustling marketplace inside of Grand Central Station gives you a literal taste of the best the city has to offer.
Restaurants in New York City
4.5 based on 24 reviews
The Leslie-Lohman Museum of Art provides a platform for artistic exploration through multi-faceted queer perspectives. We embrace the power of the arts to inspire, explore, and foster understanding of the rich diversity of LGBTQ experiences. Created by our founders to preserve LGBTQ identity and build community, the Leslie-Lohman Museum acts as a cultural hub for the LGBTQ community. Our roots trace back to 1969 when Charles Leslie and Fritz Lohman held an exhibit of gay artists for the first time in their SoHo loft. Throughout the 1970s, they continued to collect and exhibit gay artists while supporting the SoHo art community. During the AIDS pandemic of the 1980s, the collection continued to grow as they rescued the work of dying artists from families who, out of shame or ignorance, wanted to destroy it. Located at 26 Wooster Street in the SoHo neighborhood of New York City. Admission is a suggested donation of $10.
4.0 based on 6 reviews
Since 1984 AFA has represented a stable of unique established and emerging artists whose paintings and sculpture are rooted in masterful figurative technique, and whose collective works are contemporary, edgy and fiercely imaginative. The showroom is located in the heart of SoHo and open 7 days. On permanent exhibition, Joe Sorren, Nicoletta Ceccoli, Tom Everhart, Tim Burton, Anne Bachelier, Pierre Matter, Kathie Olivas, Kurt Wenner, Bill Carman, Daniel Merriam, Jennybird Alcantara, Lin Esser & David Lipson,
3.0 based on 2 reviews
The small museum represents pre-Impressionist traditions, particularly Renaissance, Baroque and Rococo, and sponsors changing exhibits that focus on 19th- and 20th-century European academic art.
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