Umbria (/ˈʌmbriə/ UM-bree-ə; Italian pronunciation: [ˈumbrja]), is one of the twenty regions of Italy, located in central Italy. It is the only Italian region having neither a coastline nor a border with other countries. It includes the Lake Trasimeno, Marmore's Falls, and is crossed by the River Tiber. The regional capital is Perugia. Umbria is known for its landscapes, traditions, history, culinary delights, artistic legacy, and influence on culture.
Restaurants in Umbria
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The retreat high in the mountains above Assisi where St. Francis frequently stayed to meditate and pray.
Quiet, forested retreat. Wander about, watch for short doorways (!), sit, breathe Views are wondrous.
5.0 based on 656 reviews
Known since the times of Dante, what is more interesting is society going to hell than in heaven. The same idea is visited in the chapel of San Brizio. The only scene of hell Sermon and deeds of Antichrist. The frescoes on the ceiling belong to the brush of fra Angelico. The good society of the apostles, angels, bishops and martyrs written by the Italian painter carefully. All that You have seen many times before. There`s the true pearl of chapel and Cathedral in general, it is the frescoes by Luca Signorelli. The seven frescoes by Signorelli in the chapel there. These are Sermon, the Destruction of the world, the Resurrection of the flesh, the Damned, the Elected, Heaven, Hell. Their importance to the world of art is that they inspired Michelangelo in the Grand work in the Sistine chapel. But Signorelli was the first who was able to portray the human body. Signorelli has always paid great attention to anatomy. It was said that his school was at the funeral. The artist was able to convey the dynamics of the naked body as well and is even better than antique. The Renaissance is manifested in this. There is a perception that Signorelli depicted the Friar in the image of the Antichrist on the mural of the Sermon. Despite all his talent, Signorelli revenged Savonarola. Savonarola was a Dominican monk, established in Florence, theocratic Republic and expelled Lorenzo de ' Medici, and along with him his favorites, including Signorelli. Signorelli has painted himself on the frescoes. Even a few times. The artist from Cortona has depicted himself in the lower right corner in the image of the monk (Sermon). The second monk is fra Angelico. Signorelli painted himself one more time in the neighbouring fresco of the "Damned". But now he made himself in the form of a horned demon, grasping a young woman who tries to escape from his embrace. This same woman depicted in the mural at the top, where the demon flies with her to the hell. The third time the master has depicted the same woman in the fresco of the Sermon, where she sells herself to the old merchant. Maybe it's the story of a woman who was unfaithful Signorelli. It reminded me again, as in the Raphael`s Stanzas gorgeous scene from the film of Giuseppe Tornatore "Baaria".Visiting artist decorated the ceiling of the local Church religious scene, taking as the sitters for the saints of the local "characters", so to conduct the services was impossible: instead of having to listen to the sermon, the congregation whispered, showing each other up at the ceiling:"He portrayed the drunk in the form of St. Peter! Where have you seen? And that angel is my brother, he recently had surgery in Palermo. — And how? — Well, thank you...". We look at these scenes from a distance. While Signorelli painted an imaginary hell, but real, of his life. In fact, as we are.
4.5 based on 1,046 reviews
This is the artistic center of Perugia that features beautiful reliefs carved in the 13 century, a stunning gothic cathedral and the superb Italian medieval palace, the Palazzo Priori, which houses the National Art Gallery of Umbria.
Piazza IV Novembre is not to be missed during a visit to historic Perugia. The piazza is flanked by historical buildings like the city's Duomo and the Palazzo Priori which go back centuries. The beautiful Fontana Maggiore sits in the middle of the square. It is such a pretty fountain with so much detail - be sure to check it out. People love to sit on the steps of the Duomo and chat and people watch. This is a great location to meet friends and soak in the city, especially at night when everything is lit up.
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Piazza del Duomo is fabulous to enter via the wide, stepped road leading to the piazza, with the Duomo framing the piazza beautifully.
4.5 based on 812 reviews
designed in the 1200's this fountain sits in the center of the old town. the detailed sculptures which make up the perimeter of the fountain are fascinating to look at, as each set represents a month of the year, as well as various aspects of life and culture as it was in those times. Definitely worth the time to see.
4.5 based on 2,142 reviews
The great palace, the view on the valley, the beautiful museum, the little stores and eateries, all at walking distance.
4.5 based on 963 reviews
Perugia’s ancient walled hilltop city is a delight to explore. It’s relatively compact although there are some steep up/down sections that may prove challenging. There are churches, museums, old palaces, a Roman aqueduct (part of which can be walked), beautiful buildings dating back many hundreds of years, an Estrucan well, an international university, a fabulous subterranean city, restaurants, cafes and much more. Simply wandering the narrow cobbled lanes are the best way to explore and enjoy the ancient atmosphere. Behind some of the buildings located on Piazza Matteotti are public terraces that offer sweeping views of the Umbrian countryside. The best part...no crowds! Just locals and students going about their daily routines. An authentic slice of life in Umbria.
4.5 based on 417 reviews
The decorated vaulted ceiling and walls of this lawyers' meeting hall dating back to the late 1290's are simply breath-taking. This is one of the oldest parts of the palazzo. There are 80 mighty painted arches! It used to be used as the peoples' assembly. After 1582, it became the seat of the Notaries' Guild. While only a few original frescoes remain, it was repainted by Matteo Tassi in 1885.
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