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The 10 Best Art Museums in Connecticut, United States
Connecticut is a study in attraction and contrast. In one small state, you’ll find miles of sandy oceanfront shoreline, acres of forested hiking trails, and world-class museums, art and theater. Here family-friendly adventure parks and aquariums are just minutes from dynamic casino resorts and quaint, historic small towns — offering experiences that range from culinary to cultural, luxurious to laid-back. It’s the perfect place to unwind and recharge, all at the same time.
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1. Yale University Art Gallery
Overall Ratings
5.0 based on 953 reviews
Yale University Art Gallery is the oldest college art museum in America. The Gallery’s encyclopedic holdings of more than 250,000 objects range from ancient times to the present day and represent civilizations from around the globe. Spanning a block and a half of the city of New Haven, Connecticut, the Gallery comprises three architecturally distinct buildings, including a masterpiece of modern architecture from 1953 designed by Louis Kahn through which visitors enter. The museum is free and open to the public.
Reviewed By 397markc397 - Hudson, United States
I know people are attracted for special exhibits, and the one during my visit was indeed very special, however the gallery is well worth a visit at any time. A very diverse and deep amount of art is always on display, and along with the helpful and friendly security staff, its a true pleasure to visit! Just a note on the current exhibit: Matthew Barney Redoubt. Absolutely breathtaking. If you miss this at least google. Its stunning!
2. Palestine Museum
3. Hill-Stead Museum
Overall Ratings
5.0 based on 224 reviews
This museum houses a large collection of French Impressionist paintings.
Reviewed By dustythoughts - Manchester, United States
This museum really needs more attention, as it's a beautiful and hidden gem nestled in the hills and fields of Farmington. The (mostly Impressionist) artwork is beautiful and original, and is gorgeously showcased in an old, well-maintained estate. There's art from, among others, Monet, Whistler, and Degas; if you're able to take a tour, then please do so, as the tour guides are highly knowledgeable and clearly care about both the artwork and about making sure their guests have a good time. The grounds themselves are also beautiful - there's a sunken garden, a walking garden, and plenty of walking trails to soak in the beauty. Come here in the autumn to admire the foliage.
4. New Britain Museum of American Art
Overall Ratings
5.0 based on 341 reviews
Acknowledged as the first museum in the world dedicated solely to collecting American art, the NBMAA is renowned for its preeminent collection spanning three centuries of American history. The award-winning Chase Family Building, which opened in 2006 to critical and public acclaim, features 15 spacious galleries which showcase the permanent collection and upwards of 25 special exhibitions a year featuring American masters, emerging artists and private collections. Education and community outreach programs for all ages include docent-led school and adult tours, teacher services, studio classes and vacation programs, Art Happy Hour gallery talks, lectures, symposia, concerts, film, monthly First Friday jazz evenings, quarterly Museum After Dark parties for young professionals, and the annual Juneteenth celebration. Enjoy Café on the Park for a light lunch prepared by “Best Caterer in Connecticut” Jordan Caterers. Visit the Museum Shop for unique gifts. Drop by the “ArtLab” learning gallery with your little ones. Gems not to be missed include Thomas Hart Benton’s murals “The Arts of Life in America,” “The Cycle of Terror and Tragedy, September 11, 2001” by Graydon Parrish,” and Dale Chihuly’s “Blue and Beyond Blue” spectacular chandelier. Called “a destination for art lovers everywhere,” “first-class,” “a full-size, transparent temple of art, mixing New York ambience with Yankee ingenuity and all-American beauty,” the NBMAA is not to be missed.
Reviewed By agnitfom2000 - Glastonbury, United States
This museum in New Britain is not all that large but gets really great exhibits every so often. They had a major exhibit from Chihuly the glass artist. Last year they had a great exhibit from Georgia O'Keeffe. They have exhibits devoted to women artist's this year. They also have a great permanent collection, especially of artists from the Hudson School. The permanent collection includes the famous Church painting of West Rock. The museum overlooks Walnut Hill Park, a large public park designed by Frederick Law Olmsted that is spectacular on its own. On good weather days it makes a great combination visit. I would suggest allocating about 2 hours to view the collections. The museum does have a good restaurant for lunch, so add some time if you want to eat. Admission can be expensive, but they have many opportunities to enter for free. Check the website or your library.
5. Gallery 53
6. Weir Farm National Historic Site
7. Florence Griswold Museum
Overall Ratings
4.5 based on 245 reviews
A 12-acre museum campus with a historic home museum, a modern art gallery with changing exhibitions, and gardens and river frontage along the delightful Lieutenant River. Visitors enjoy seasonal events including June's GardenFest and October's Wee Faerie Village. Discovery Sundays (April - September) give visitors of all ages the opportunity to take a mini-lesson in landscape painting and create their own masterpiece on the extensive grounds of the Museum. Visitors can enjoy lunch on the veranda at the outdoor Cafe Flo (May-October), and find unique gifts, exhibition catalogs and more at the Museum Shop. The Museum is named for Miss Florence Griswold, who at the turn of the 20th century opened her home as a boardinghouse which quickly became popular with American artists including Childe Hassam and Willard Metcalf. Museum docents share tales of the Lyme Art Colony and this home of American Impressionism. Check FlorenceGriswoldMuseum.org for a calendar of events and exhibitions.
Reviewed By kzsull01 - Windsor, United States
My husband and I visited the Florence Griswold Museum in Old Lyme, Connecticut on Thursday, March 11, 2021. We enjoyed both the Special Exhibits and the Florence Griswold House, which are both very impressive and definitely worth seeing. This time we particularly enjoyed touring the Florence Griswold House because of the friendly docent/interpretive staff member at the house who provided great details about the house, including its restoration and its contents, about Florence Griswold and about interesting places to see while we were visiting the area. The information that she provided was quite helpful making the tour seem like a walk back through time. . We have come to the museum and house many times and have always enjoyed both the temporary Special Exhibits and the exhibits from the Permanent Collection, which change on an on-going basis. As always, we found our visit to be quite enjoyable, being informative, interesting and educational. Our current experience viewing the Special Exhibits and house is described in more detail in separate sections below. We recommend the museum and house and we hope that you have the opportunity to enjoy them as much as we have for a very nice mixture of art, history and nature, especially as reflected in the rural landscape paintings of New England. It is definitely worth the visit and we will go back again. All the overviews/write-ups within the museum, the house and other areas of the grounds are well done and nicely explain what is on exhibit. In the spring, the grounds are quite nice to walk around, and are a great place for artists to come and paint as Impressionists artists did in the past. But this was even true at the time of our visit, which was in early March. There are new trails to hike, including a River Walk and a Hedgerow Walk that we have not had the opportunity to explore but will during a future visit. Details about these trails are in the Visitors’ Guide. . Our visit this time took a little over an hour. There was plenty of free parking in the designated parking area. Please refer to the below for further details about our visit. Although there was no orientation film to watch before our visit at this time as there has been in the past, the write-ups in the house as well as the docent/interpretive staff member provided a very good overview from a historical perspective of Florence Griswold, her home and about the Old Lyme Art Colony. We thank the museum for being open during their normal hours throughout the pandemic and for not having reduced hours as many other museums have had. The only issue we had was with the Timed Tickets. The on-line process was a bit complex. Also, we prefer more flexibility in terms of the time we have to arrive at the museum to visit. We got tickets for 10:30 a.m.. We left our house in order to arrive early but due to construction on Route 9 we were delayed for about 25 minutes and arrived in the later part of the 15 minute time slot that the tickets applied to. This was a bit stressful and we would have preferred more flexibility, perhaps having the time range for the tickets apply to a longer period of time. Although we had no issues being admitted into the museum, we did not like the stress of having to arrive at the museum by a specific time because we didn’t want to be late. Special Exhibits: The Special Exhibit: ‘Expanding Horizons; Celebrating 20 Years of the Hartford Steam Boiler (HSB) Collection’ expanded on the museums focus on landscape paintings by American Tonalist and Impressionist artists from the Old Lyme Art Colony to include canonical American portraits, still lifes, figurative compositions, narrative scenes and landscapes painted by Connecticut artists working in other locations. The exhibit interestingly illustrated new methods of research and interpretation and the importance of connecting the narrative lessons of historical works of art with changes that happened in our contemporary world. Hence, the exhibit addressed issues very relevant to current times. New methods and approaches to American Art, including Ecocritical Approaches; Thing Theory; “New Materialism”; new ethical museum practices for structural transparency in museums; and new ways of looking at landscape paintings, identity, and hidden histories in art are all presented in the exhibit with very informative overviews/write-ups and very nicely done corresponding artwork. This exhibit is well done and quite educational. Interesting, intriguing, and thought-provoking concepts were explained within the different sections of the exhibit. Below I mention some of the information that I got from the overviews/write-ups pertaining to each section, to give you an idea of what these concepts are based on my understanding of them, but the write-ups say a lot more than what I mentioned below and should be definitely read if you have the opportunity. Please note that this information is just from the overviews and not from the individual pieces of art. So there is really a lot of information to absorb!!. . ‘Thing Theory’ examines subject-object relationships in art based on the assumption that objects – their materials, construction, physical lives – hold knowledge about human history, culture and nature. Examining works of art based on this theory can take a variety of forms with the goal of a more nuanced understanding of objects within their historical context. Ecocritical Approaches to American Art is interdisciplinary, studying the physical environment and its relationship with other aspects of society and culture. This approach can be applied to historical art and ideas to learn about their environmental significance, both in the past and present. The ‘Revealing Hidden Histories’ Section raises awareness surrounding ethical museum practices and the need for structural transparency in museums. Prior to the HSB Collection the museum had articles primarily created from the largely male Lyme Art Colony. The HBS Collection showcases artwork from more diverse populations in Connecticut, which is a priority of the Museum going forward. New collaborative research has expanded art historical inquiry, allowing the potential for multiple perspectives, interpretations and meanings to surface all within one picture. This section taps on histories of land ownership, labor, food and music that intersect with issues of race. The ‘New Lenses on Landscape’ Section interestingly provides background on how Art History has historically included understanding concepts of place, property and national identity with recent studies focusing on social and environment frameworks. Definitions of “American Art” landscape painting are being expanded to a more global approach reflecting the nuances of artists’ international travels, networks and exchanges, The exhibit shows paintings created abroad that focus on issues of artistic process, public taste and histories of colonialism while the paintings created in Connecticut focus on narratives about land ownership, war, urbanization, and fine art’s intersection with mass culture. The ‘Inquiring into Identity’ Section explains how Identity is a construction shaped by culture, individuals and images created by artists and non-artists. As we become more aware of social disparities, inequalities and injustices, it is useful to look to historical art for the cues, roots and lessons of those narratives. This specific section analyzes identity through considerations of landscape, portraiture and still life to help better understand history, its people and experience and the need for works of art to require contextualization. The Special Exhibit: ‘Centennial of the Lyme Art Association Gallery’ is a very nice tribute to the historical significance of the gallery, and to the role that the original Lyme Art Colony largely male members, Florence Griswold, and women painters, among others, played in the creation of the Lyme Art Association Gallery. Revisiting the origins of this art gallery allows an examination of the economics of art and tourism, local history, the impact of World War I and reactions to modernism, and even censorship as the former artists chose what and who should be represented in this gallery. This gallery definitely has a very interesting history and the exhibit nicely depicts that. What I found of particular interest is the evolving role that women played in the gallery, including that Florence Griswold transitioned from art colony matron to be the L.A.A. first gallery manager!! This exhibit was very interesting and well done. . The Florence Griswold House: We then went to the Florence Griswold House, which was built in beautiful Late Georgian architecture. As mentioned previously, the interpretive staff member/docent within the house was very friendly and provided helpful information about what was on display in the house as well as helpful hints about interesting places to visit in the area. . The multiple rooms in the house on the first floor are well restored to the time period of the Art Colony, nicely depicting what the artists would have experienced during their stay. The rooms include Florence Griswold’s bedroom; the Art Colony parlor; an Art Colony member’s bedroom; the Dining Room; a cupboard room with beautiful dishes; and main entry hallway and staircase with each room very nicely arranged and having an informative write-up about it. The furnishings in the house are from the time period of the Art Colony and are beautiful, but are not all actually authentic to the house. The series of wall and door panels painted by the artists of the colony are very impressive and all well preserved. What we missed, but have seen during previous visits, was the film shown in the room on the right as you enter the hallway to the house which included actual footage of Florence Griswold walking through her gardens while she was living in the house in 1935, when she was eighty-five years old. This film was quite unique and nice to see. The second floor of the house has multiple rooms with Impressionist, Tonalist and miniature paintings and sketches painted by members of the Art Colony, with the art representing a subjective interpretation of nature and the surrounding Lyme landscapes, providing a very nice touch of spring. These paintings have harmonious colors, with delicate effects of light, showing rural life with great sensitivity and personal feeling. There is a room devoted to Florence Griswold and information on the restoration of the house and gardens which was quite interesting. Touring the house is like a walk back through time. All the write-ups within the house are quite educational and nicely explain the art on display and reflect the historic significance of the house and the Art Colony. I particularly liked the write-ups about each room in the house as well as those about the ‘Art Colony of Old Lyme’, including the corresponding picture of its members; the ‘Welcome to Florence Griswold’s Boardinghouse for Artists’; ‘Childe Hassam and the American Impressionists’, ‘Henry Ward Ranger and His Tonalist Circle’; ‘the Painted Sketch’; ‘the Landscape of Lyme’; and ‘Replanting an Old-Fashion Garden’.. We enjoyed this museum. It had a lot to offer and provides a good perspective of what the artists would have experienced during their visits to the Art Colony. Again, we recommend a visit to this museum and definitely will go back again soon, as we have always done in the past. We only wish that we lived closer to this museum! A library pass may be available at your local library for free admission into this museum, a rather nice bonus! This time we used the ‘CT Art Trail’ Passport Booklet.
8. Connecticut Impressionist Art Trail
Overall Ratings
4.5 based on 3 reviews
Established in 1993, this trail is comprised of 12 museums and historic sites around Connecticut where one can view American Impressionist paintings.
9. Bruce Museum
Overall Ratings
4.5 based on 197 reviews
Explore Art and Science at the Bruce Museum in Greenwich, Connecticut. The Museum is open Tuesday through Sunday from 9:30 am to 4:30 pm;; closed Mondays and major holidays. Closed Christmas Eve, Monday,12-24-18, Christmas Day, New Year's Eve, Monday, 12-31-18, and New Year's Day. Tuesdays are free, all other days are "Pay as You Wish," with a $10 suggested donation.
Reviewed By ArthurG121 - Scarsdale, United States
We have visited the Bruce Museum Numerous times over the last few years. When we heard that they had reopened, we decided to plan our visit. As a result of the Pandemic of 2020, you must reserve in advance by going to their website And picking a specific tine you’d like to arrive. They are limiting the number of guests to twenty five people per time slot. The Bruce Museum is small however they had three very interesting exhibits. They are in the process of planning and building an entirely new and much larger museum on their property. There are many reasons to plan a visit. They are located in a beautiful part of Greenwich and you’ll want to allow time to stroll to the water as well as to walk on Greenwich Avenue. The museum staff is made up of people who live their jobs and more importantly, the Bruce Museum’s organization values them too. During the months that the museum was closed, they didn’t furlough any of their staff. Not even their security guards. Everyone was kept on and received their full salaries. When I heard this from one of the security guards, I decided that we had to become members to support this wonderful institution!
10. Windsor Arts Center
Overall Ratings
4.5 based on 7 reviews
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