The Province of Lucca (Italian: Provincia di Lucca) is a province in the Tuscany region of Italy. Its capital is the city of Lucca.
Restaurants in Province of Lucca
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The museum is located in a flat on the second floor of an ancient building in the heart of Lucca, where Giacomo Puccini was born on December 22, 1858. In this house the composer spent the years of his childhood and first youth. The birth home was transformed into a museum in 1979 and carefully restored in 2011: today it looks like when young Giacomo lived there. The museum preserves Puccini’s Steinway & Sons piano on which he composed Turandot, autograph scores of youthful compositions, letters, photographs, precious drafts, such as the “libretti” of Tosca, La fanciulla del West and an extraordinary musical sketch of La bohème. Noteworthy the costume of Turandot worn by Maria Jeritza at the Metropolitan Opera House of New York in 1926. The birth home is a central element of Puccini Museum, the articulate museum complex that, following a journey along the footprints left by the great composer, rediscovers his personality, his passions, his genius.
I can take opera or leave it (although some of the music is well known outside the opera house), but when in Lucca, this museum is fascinating, We bought our tickets at the office & bookshop on the plaza (Piazza Cittadella; where the Puccini statue is), and the museum is well-marked on a street off of it. We walked up a long flight of stairs to the museum (there is a lift, but we read later that it has to be booked to use "at least 2 days before the visit" at the ticket office. We were welcomed by a very knowledgeable staff person who would occasionally stop in a room to tell us about something special (it wasn't crowded). We wandered around the rooms, following the map. Many items of the era and Puccini's life and creative works were displayed. Of particular pride was the Steinway piano and autographed scores and markings of modifications or interpretations. The 1926 costume of Turandot from the NY Metropolitan Opera amazing even to a opera neutral such as me. We saw the upper room (garret?) where he composed and could just see the "angel" statue over the rooftops from the Cathedrale San Michele--an inspiration. I've been to many homes of significant authors and composers, sometimes disappointed and sometimes inspired myself; this one was worth the time and entrance fee. [The map/program says no pictures or video recording, but the staff person said it was okay.]
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We paid €9 each for the ticket which allowed you to climb to the top of the bell tower (you need a good head for heights), into the spectacular cathedral and into the museum. We thought it was great value for money, the views were amazing, the stained glass windows and paintings were beautiful and the museum was great. We highly recommend this.
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Whether you walk or cycle around the walls you will get a real feel for the scale and attractions of Lucca. Some of the underground areas are also worth dropping down for a view.
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Duchess Maria Luisa of Bourbon commissioned the project to build the aqueduct in 1823; it was designed by architect Lorenzo Nottolini. The structure begins just behind the train station, at the Cistern of San Concordio, once used to carry water from the mountains into the city and contained 400 arches made from stone stretching for 3.5kms. Today the aqueduct stands in its entirety. I followed the dirt path beside the aqueduct completely captivated by the peaceful surroundings. The full length from the Temple cistern to its end at the Parco dell’Acquedotto takes about 20mins. Words cannot express how truly magnificent this feat of engineering is, just stunning. The path is also a popular cycling track. After every 17 arch there was a decorative buttress constructed to take care of the strength of the structure. However, during the 20th century, 6 arches were removed, and water supply was interrupted for the passage of A11 Motorway that connects Lucca and Capannori. The footbridge over the autostrada felt a bit dodgy, the low railings allowing gusts of wind as large lorries rolled underneath. I was very pleased to reach the other side in one piece. From the overpass I followed the aqueduct a further 2kms where Nottolini’s spectacular arches ended near the town of Guamo. The cistern at Guamo Whence was the first tank that supplied water to the city. It is also where we see the first arch of the aqueduct. The water of the aqueduct was drawn from several springs on the northern slope of Mount of Vorno, then passed through a number of layers of gravel and stone, purifying it before arriving to the temple-cistern of Guamo. From there the water was channelled inside the conduit that you can still admire today. From this point on, the arches are interrupted and the underground conduits begin. The presence of the aqueduct is still easily identifiable thanks to the numerous brick filtering wells (the ancestors of modern manholes) and other cisterns. Following the direction of the underground aqueduct, I reached an enchanting spot, the place where the waters coming from the Serra Vespaiata pass under a small bridge. The architectural innovation of Nottolini is evident in construction of the manufactured waterways that cut gentle curves through the hills between San Quirico and Vorno. From here the waterways give way to forest, then to olive groves and ancient stone houses. Follow the path up through the forest for another 2.3km to the road. From here turn right, 100m down the road is the panoramic point of Gallonzora where you can enjoy views of the Lucca plain to the Apuan Alps. Winding my way down the road the sun is shining, olive trees are bearing fruit, poppies are in bloom. On the way to Lucca you will pass through the villages of Vorno and Guamo. There are a couple of nice churches to check out and one or two cafes worth stopping at.
4.5 based on 33 reviews
We visited in May and were pleased to see that a new museum has now opened, and it complements and supplements the church quite well. The museum focuses on the life of Santa Gemma and contains many genuine relics of her life, some of which are quite touching. Her fingerless gloves, for example, were worn to cover the marks of the stigmata, and the last bits of clothing she wore show the stains of her death from tuberculosis. In addition, the museum has a first-class collection of relics of other saints. Truly a magnificent array of mementos tastefully arranged in several glass cabinets. The Santuario is just outside the walls and is a short walk from the Porta Elisa.
4.5 based on 12 reviews
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