Go ahead and take that photo of yourself with a tilted hand "holding up" the Tower of Pisa. We won't tell; your rep as a sophisticated traveler will remain unblemished. Now that you've gotten that out of the way, climb the tower's 300 steps for a tilted view, or visit the National Museum of San Matteo and the Camposanto cemetery.
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It is called the Leaning Tower or the Tower of Pisa but actually it was never used for defending the city; it is part of the religious complex in the Duomo Square and acts as its bell tower. It played an active role in both human and divine timekeeping with its seven bells – one for each musical note – the largest of which, cast in 1655, weighs a full three and a half tonnes! It is known throughout the world for the beauty of its architecture, for its extraordinary tilt, which makes it an authentic miracle of statics, and for the fact that it stands in the universally renowned Piazza dei Miracoli, of which it is certainly the prize jewel. And this is why it is one of the 7 Wonders of the World.
We got a early train from Rome 6.25 up to Pisa. Train was pre-booked and a short walk from where we staying. Train station was easy to navigate and get on right train. We got there around 9ish and then walked 15mins to the Tower. We were lucky with good weather and the sun was out. It was not too busy at this time so you get a better chance to get a clear view to take you mandatory "holding/pushing" the tower. We went up the tower for a good view. Stairs are a little tight but fine for the average person. Good view out across Pisa at the top. We didn't book any of the other buildings so not sure if we missed out there or not but the Leaning Tower was the highlight. Got a 2pm'ish train back to Rome. Helped break up our trip and really glad we planned this in and feel like we ticked it off the bucket list in an efficient way by grouping with Rome visit
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The Baptistery of San Giovanni was founded on 15 August 1152. It is here that the Sacrament of Baptism is administered and the Christian embarks upon the path of Faith. The reason that such a fascinating and enigmatic building was constructed was certainly the wish to endow the cathedral with a worthy adjunct: a Baptistery that, in terms of position, size, materials and style, would be in harmony with the majestic building that already stood opposite.
It seems to be more attractive outside than inside, but it is enough just to go beyond the surface and you will notice some peculiarities that do not appear: the echo produced by a simple monotonous sound in the center; the contrast between the large baptismal font and the small statue of San Giovanni; the pulpit which although is massive, appears small to those who enter.
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Founded in 1064 and consecrated with great pomp on September 26th 1118, the Cathedral was built in two stages, one by architect Buscheto, who created the original layout with the basilican body with four aisles and one nave, a transept with one nave and two aisles, and the dome on the cross vault, and one by Rainaldo, who extended the building and the façade. The building was not finally completed until the last quarter of the XII century, when Bonannoís bronze leaves were placed on the central door, which were later destroyed by the devastating fire of 1595, after which many of the destroyed works were replaced and a vast decorative plan was started.
the complete name of the Duomo di Pisa is Primatial Metropolitan Cathedral of the Assumtion of Mary ; construction began in 1063 and ended in 1092 and this monumental cathedral is built in Pisan Romanesque style rivaling with Saint Mark’s Cathedral in Venice ; the cathedral lies right across the leaning tower of Pisa and is the siege of the Archbishop of Pisa ; it is monumental,impressive ,a feat for the eye ;
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The Palazzo Della Carvona is palace in Knights' Square, Pisa, Italy. It houses the main building of the Scuola Normale Superiore di Pisa. It is well worth a visit, just to see its exquisitely etched facade. The original "graffiti."
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The walkway of Pisa’s Walls, with its 11 meters high, gives to the public the possibility to observe the city from an original perspective. A pleasant walk to admire from above the typical pisan overview, from Piazza dei Miracoli to Piazzetta Del Rosso. An itinerary that surprises the visitor for the beauty of the places, among recovered garden, archaeological and artistic treasures. The building of Pisa’s Walls began in 1154
If you want to get a different view of the Leaning Tower and other buildings on Piazza Miracoli I would highly recommend a trip up the city walls (mura). A bargain for €3. We didn't do the full route, as we are all really only in Pisa to see the tower aren't we? The entrance at the Piazza is the Torre Santa Maria - if you are facing the tower/duomo with the main footpath and shops/restaurants/Museo Sinopie behind you, the entrance is top left (north west) on the Piazza. (Map attached) The walkway on the walls is wide and well maintained. Fantastic!
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Closed for extraordinary maintenance from 13 January 2020 to date to be advised. Destined to remain concealed beneath the finished work, the precious “sinopia” is the only graphic work that we still have of the early masters, for drawings on paper or parchment that have survived from way back in the Middle Ages are extremely rare. As the first step towards making a fresco, the sinopia is a drawing traced out on the first layer of plaster. It takes its name from “sinoper” or “sinopia”, the red pigment which is mixed with water and applied by brush. The Pisa collection is absolutely unique and it came to light as the result of a terrible event. A fire raged through the Camposanto during a bombing raid in the Second World War and this made it necessary to detach the frescoes from the plaster in order to save vast portions that had not been burnt and to restore them. The outer film of paint was removed using the “strappo” technique, revealing the hidden sinopias beneath.
This museum is in the same building as the ticket office for the other sites. Unlike the leaning tower or cathedral, which seemed to have thousands of people milling about, we saw very few others in there. As one person commented, you need to know something about art to appreciate the panels, but if you do, they are wonderful. While part of any fresco might have been painted by the artist's apprentices or assistants, the under-drawings are nearly all by the master's hand. We knew a lot about the other works by Gozzoli, so it was good to get even nearer to his original work.
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